The exhibition A M O R E S emerges from an intimate exploration in which painting becomes a medium to translate emotional energies that are difficult to name. Each work begins with a title that identifies a specific type of love—toxic, self-love, ephemeral, idealized, broken—but the title is only the starting point. What truly drives the artist’s process is an intuition: an immediate, almost instinctive inner sensation that appears before any concrete image forms.The artist says, "When I think about each type of love, I do not visualize scenes or figures. What arises is a very particular energy that manifests within me as a pure emotional state. This energy evokes mental tonalities, chromatic atmospheres that are not literal but guide the rhythm, depth, and composition of each piece. I paint to project this inner vibration outward, trying to ensure that the final work preserves the intensity of what I initially felt only as an internal impulse.Although this series emerges from a deep introspection, it also incorporates forms of love I have observed in others. I am interested in how certain affective vibrations—seduction, loss, toxicity, calm, obsession—repeat themselves in different contexts and shape different lives. In this intersection between the personal and the external, each work ceases to belong solely to me and opens as a space of resonance, where viewers may recognize themselves through their own emotional experience.This minimal show comprising of strong abstract works in vivid colours does not attempt to define what love is. Instead, it seeks to reveal its multiplicity—its shadows and lights, its instability, its transformative power. Each work is an emotional imprint projected outward: an effort to give form to what the artist feels and observes. What he cannot explain in words but which color, gesture, and texture are able to express.