In her novel Enter Ghost (2023) by Isabella Hammad, a character says, “...it’s a choice between life and death. But really, what Mariam is pointing out is–there’s a third way. You can be a ghost.” In this snapshot of a person's life revolving around Palestinian liberation, the novel asks larger questions about life and death: What does being a ghost or apparition mean, beyond the notion of horror? How do we experience it as emotions of longing, curiosity, fear, and even catharsis? How do we understand our present with these emotions about apparitions? What could this in-between space of being a ghost look like for each of us? Most importantly, how do we live knowing that ghosts surround us in the past, present and future? This exhibition presents works by multiple artists of South Asian origin attempting to answer the above questions with a experimental visuals of their memories, emotionalities, and socio-cultural experiences. The ghost in Shakespeare’s tragedy Hamlet enters in the form of Hamlet’s dead father who reminds him of dire circumstances (like his mother’s marriage to his uncle) that are hidden within the seemingly peaceful land. The Ghost haunts yet it also exaggerates. Disbelief is a normal response to the Ghost’s haunting, yet there is truth to what it exposes. Each artwork in this exhibition presents a haunting with a visual response that each artist has arrived at, in their search for the truth about what a Ghost has exposed to them. Some consider the apparition as a literal ghost while some explore it as a metaphor. Many of these artists journey with or toward a Ghost in attempts to revive familial archives, memories, and personal truths while others approach their practice as surviving a house of horrors that challenge their community’s or landscape’s presence. Finally, a few artists treat the materialities of their works as Ghosts themselves; approaching matter and medium with a will to experiment, claim space, and beckon an afterlife if need be.