Moving between documentary impulse and art practice, Lathigra’s work treats both staged and found images as democratic. Across Memoire Temporelle, The Indian Photo Studio, and Junagadh, photographs become sites where migration, identity, and inheritance are examined — never resolved, but continually re-imagined.

Mumbai’s streets, studio archives from Gujarat, and hotel rooms in Junagadh form the visual language of an artist negotiating distance: between India and the West, between history and the present, between what is seen and what is remembered.

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