We offer two dual solos of exhibitions choreographed as sculpture - 'Prakalpana' by Bhushan Bhombale that is curated by Prabhakar Kamble consists of assemblages of rescued wood and stainless steel scrap that Bhushan assembled during his residency at Prabhakar's studio 'Kalpana' in Anur, Kolhapur.  Salim experiments etymologically with the term 'Rachana' - the act of creating,  composing and arranging using collage,  drawings,  wood - old and new,  plexiglass and steel wire to create models to construct space in an architectural realm playing with our imagination of scale.  Salim's solo is curated by Zasha Colah and addresses how assembling objects, colours and material can hold dialogue with the audience in the role of creating sculpture.  The exhibition uses the an experimental vocabulary of scenography where two artists and two curators share the same space but their juxtapositions are on purpose for they use similar approaches to sculpting and aesthetics. 'Prakalpana' in Prakrit means the hypothesis of putting to use conceptual imagination in aesthetics and art.   Juxtaposing the two terms as the title we propose a pondering of what we perceive as conceptual sculpture today in South Asia where both architecture and sculpture are both known as 'Shilpakala' and inherently require a human audience to be complete as art.